Stars and S.T.R.I.P.E.

Smallville’s “Absolute Justice” put me in the mood to check out both Stargirl and Geoff Johns' comic book debuts. Finding a nice price on the 2 volumes for “Stars and S.T.R.I.P.E.” I purchased both and settled in for a good nights read.

A little set up: Though I’m a fan of Johns work, I don’t think I’m as big a fan as others. Granted, what he did on Green Lantern... the way he brought back Hal Jordan was brilliant, intelligently written. I believe that was Johns at his absolute peak. But, I feel he gets a bit too busy as he goes on. I wasn't as impressed with the popular Sinestro Corps War or even Blackest Night. They are loaded with sound and fury, but little else. Neither have the depth of character or story for something I’d consider great. Alan Moore’s Swamp Thing was great, as was John Ostrander’s Spectre. Both were able to tackle a huge storyline and offer compelling character development as well. Generally, neither Johns nor his big events reach those levels of artistry.

I compare his writing to a candy bar – both are tempting and sweet tasting. While it might not be filling, that’s okay, I like a “Milky Way” now and again. Stars and S.T.R.I.P.E is probably Geoff at his most light and fluffy and Milky Wayish. It is -in his own words- rather green, especially at the start. The narrative doesn’t flow seamlessly and there is little character development, as the primary figures simply bicker and do little else. As the series went on we can see Geoff’s growth as both he and his protagonist mature.

The premise: Pat Dugan, who used to be the sidekick Stripesy to golden age hero The Star Spangled Kid, has just remarried and moved his new bride and her teenage daughter Courtney Whitmore, to a small town. Courtney expresses her unhappiness with this situation frequently. She’s pretty much a brat, treating Pat like dirt and doing whatever she can to get under his skin. She gets an opportunity to do just that when she discovers Star Spangled Kids’ cosmic belt and costume among Pat’s belongings. She adapts the uniform and wears it to a costume party/dance knowing it’ll bug her new stepfather. When baddies attack the dance she’s thrust into action, with Pat – now suited in robotic armor – looking to protect and keep her out of harms way.

The first volume sees the new Star Spangled Kid learning the ropes; there are strange goings on at her School and new town to keep her busy. S.T.R.I.P.E tags along and gets no end of grief from Courtney – loveable is not a word I’d use for her, she’s of High School age so it fits, but it took me a while to warm up to the girl. In these 8 issues the duo team up with the likes of Captain Marvel and Young Justice and do battle with goofy baddies such as… Paintball?

The art by Lee Moder is cartoony. I like his line work and composition. There’s a nice movement and flow in his pages. Unfortunately he can draw some ugly looking woman, maybe not Jack Kirby ugly, but ladies faces frequently foil him. Marked by large eyes, a narrow chin (rather light bulb shaped heads) and rubbery lips. Check out page 33 in Vol 1, Gaa! Is that supposed to be the face of a young girl or a Zanti Misfit?

His designs and renditions for S.T.R.I.P.E remind me of a Saturday morning cartoon figure, very old school in style. I like it, though the barrel-chest come off a bit exaggerated in some panels. Lee’s fight sequences aren't bad - not the best or the best choreographed, but not bad. They are clean and easy to read, if too static in places (for example: Vol 1, pg 158 panel 2 - the scene is too stiff, which lessens the clairity and impact of the moment). Lee would give way to the workman like Scott Kolins in later issues. Kolins is more realistic, but his panels are not as dynamic and crisp as Moder’s.

In Volume 2 the duo team up with the new Starman and the old Shining Knight, and wrap up their feud with the evil Dragon King and his daughter Shiv. We get to meet Pat’s annoying son from another marriage. He’s not an asset. And Johns bogs down some pages with excessive exposition (especially in the pages devoted to Shining Knight's comings and goings). But he also gives Courtney a few more layers. She jumped into the hero game so quickly and seemed pretty fearless for the most part, so it was nice to see her softening up a bit. There’s a heartrending sequence when her biological father shows up at her doorstep, and she and Pat have some nice moments, which were a welcome respite from the bickering.

All told these early tales of the future Stargirl were overall enjoyable fun. She's not as noble a young female hero as Supergirl. She’s not as kick ass cool as the Huntress or Marvel's Black Widow. As far as teenage heroes go; I didn’t find her as likeable and relatable as say, a Peter Parker. But Courtney does have her moments. She’s got spunk, and Johns and Moder kept me entertained with her and Pat's fast paced, colorful adventures. So... good candy!

Note: DC could have done a better job of filling in the gaps, provided a page directing us to crossovers (there is one obvious jump between issues in vol. 1) or told us where to go next for more Star Spangled stories. Research lead me to “JSA: Justice Be Done”, but DC could help themselves –sales wise- and do us fans a favor by giving us a quick and easy directory in their trade paperbacks

Push and Dark City on Blu-ray

Some critics complain that superhero flicks are too simplistic; Push got knocked for being too complicated. I guess there’s no pleasing some folks. With Dark City I’ve read that Alex Proyas and his actors did the ‘displaced thing’ all too well, to the point where they were not relate-able. I don’t understand that sentiment - I must be so well acquainted with feeling lost and unsure that I was able to relate a lot to the characters and found it the films strength. Never the less, I’m not interested in making this my bully pulpit. These are not intended as put downs, it’s just an example of the wide landscape of taste and expectation. Not every film is for everybody but these two were right for me.

Neither film is pure superhero per say. No one in Push dons tights to fight crime. Dark City does have a character come to power, but is viewed more as sci-fi horror. Both though, do have comic book elements that appeal to me. I recently found both on sale on blu-ray and put in an order.

The Push disc didn’t provide any new extras from the DVD, it simply delivers a stunning picture. I loved the look of this film. The cinematography had a grainy, indie feel to it and though I could be wrong, it doesn’t look like they tried to smooth it out through DNR - the details and facial characteristics (pores, moles and other marks) seem intact. Plus I didn’t see any compression issues. So it’s a good-looking release, and as for the story - I enjoy that it’s complicated, that it forces me to think and pay attention This factor keeps things fresh on repeat viewings too.

Dark City: As you would guess, it’s a very dark picture but the blacks look good. Color and detail is crisper and truer than on the DVD release. I did notice some compression, but it was so minor as to not be an issue. The great thing is that this disc includes both the theatrical and directors cut. I'm not happy, for example, that Underworld is only available in the inferior extended cut. Would it have hurt them to include both versions, like the producers of Dark City did? In addition that that, this blu-ray releases is packed with informative extras and several commentaries (on both versions).

The director’s cut offers a pop up option, which guides you through the changes made (something I was curious about), and I have to say, as much as I loved the theatrical, the new version is even better. It amps up the mystery so nicely that I wish this was the way I could have watch the movie from the start. I love the sense of discovery and illumination on a mystery, which was all but lost with the studio mandated intro on the original cut (now removed on the director’s)

Dark City is an evocative tale; it’s loaded with style and substance. The look and direction is stunning, the score adds to the surreal atmosphere. I am also moved by these peoples plight, even more so on the new edit. For example: In the director’s cut Jennifer Connelly singing vocals are restored. Her voice isn’t strong but that’s the way it should be. She isn’t supposed to be a singer, these people probably aren’t supposed to be together… everything is off kilter and this adds to the sense of loss, as well as dread and the need to set things right (or as right as they can be). I don’t know why others found this film and story remote, because it touched me deeply and I number it as one of my all time favorites

My original review for Push.

The Phantom on Blu-ray

As a big fan of this flick, I eagerly rushed out to buy a copy on the day of its blu-ray debut. My thoughts? While I was happy to see the detailed designs on the costume pop like never before, and that the print wasn't marred by any of the compression or ghosting issues I've seen on even big blockbuster releases... the movie was in desperate need of a good cleaning! The picture is rife with grain and specks and what not. There are some interior shots, in the cave etc, that look terrible. Reducing the backlighting, going from standard to movie mode helped make it a little less noticeable, but that cuts into the detail and vibrancy. If you're going to release a movie in Blu-ray, where very flaw will be noticed, you at least need to do some kind -any kind- of restoration. It also would have been nice if Lionsgate could have provided a decent extra. Such as a retrospective, or an interview with Director Simon Wincer, even a commentary track. I know the Phantom has a small following, but its Blu-ray release deserved to pack a little more punch than this.

My original review of the movie... The Phantom

Smallville: Absolute Justice

After the idiocy of last years season finale it would have taken a lot to generate renewed interest in me for this show. Bringing back Green Lantern scribe Geoff Johns, who penned my favorite episode from the '09 season (Legion) was a step in the right direction. To start, I’ll point out that I’ve got a love/hate relationship with Smallville. I like it when it’s heroic; I hate it when it embraces the overwrought soap opera. It’s fun when it’s adventurous and mysterious, ponderous with its contradictory stabs at the philosophical. Overall, I find it damn schizophrenic.

Thankfully "Absolute Justice" zeroes in on action and intrigue. With a Watchmen-esque mystery about an old school crime fighting team -the JSA- whose members are being killed off one by one. As Clark and his crew try to suss out what’s going on, they collide with this old guard, before the two put aside their differences for the greater good.

The 2-hour episode spends its first half on the mystery and introduction, which I liked. The second half focuses on the adventure, which was equally as cool as. Add it all up and I got something that was entertaining and held my interest from start to finish.

A lot of talk on this episode involved the costumes. Would they work or come off cheesy? For me they were hit and miss. This is TV and it doesn’t have the budget of a blockbuster Hollywood production so I wasn’t expecting Spider-Man levels. Sometimes they did well - as with Doctor Fate, whose helmet and glowing eyes were very effective. Sometimes it was split down the middle. Stargirl, a favorite of mine -and someone close to Geoff Johns' heart- looked good; apart from the overlarge facemask (something about superwomen and their eyes flummoxes this show… ala the ugly black makeup they’ve put around Black Canary’s peepers). With Hawkman, his headgear has always looked goofy, so there's not much they could do there. The wings were tricky and the chestpiece was ill fitting and clunky. And speaking of clunky…

The actor-playing Hawk (Michael Shanks) was decent at first but once he donned the uniform and zapped into hero mode –Phew- It was like he was doing a bad Clint Eastwood impression. Over enunciating on some of the worst dialog of the episode. Hawkman and Green Arrow were paired as combative allies; Arrow was hilarious and delivered his lines like a pro. Hawk snarled and sputtered and made me wince with every lame quip he uttered. The rest of the JSA was serviceable and kept pace with the regular cast. Stargirl (Brit Irvin) and Chloe had some good bonding moments together and I liked Brent Strait as Fate (who sounded like James Earl Jones once he put on the helmet)

I’ve heard complaints that the villain Icicle was not a worthy foe. The actor does ham it up but the character did exactly what he was meant to do. He’s a puppet of Amanda Waller (Pam Greer) and the shadowy Checkmate organization - and that’s a nice set-up for some future stories.

Other pluses: The episode is packed with goodies that comic book fans should appreciate. You’ll spot items from Flash’s helmet to the Green Lantern’s battery. It was nice to see many of my old favorites, like Ted Grant (Wildcat in civilian dress). And there was a quick peak at Martian Manhunter’s true form in all its green glory -- as well as a nod to his love for Oreos.

All in all a –mostly- satisfying event. It cleansed the pallet and served to wash out the bad taste of the 2009s season finale and got me back to the show.

Next week: The welcome return of Zatanna (pitch perfect casting there. You couldn’t do any better than Serinda Swan). And a way we go…